I came up with a music therapy intervention that not only meets the criteria for at least one part of my piano improvisation midterm, but is also useful for me in my everyday life! I was playing an ostinato (repeated musical pattern) in Mixolydian and kept thinking: “this wants to be a movement intervention, but it’s so tranquil.” I kept imagining myself slowly raising my arms above my head and inhaling, then lowering them and exhaling – like one might do as part of a warm-up for yoga.
Everything I’ve been learning about improvisation, psychotherapy, music therapy, and improvisation points to the same essential guideline: Work with what the client is giving you. My mind was giving me a movement, so I decided to go with it. I played the ostinato in my left hand, used my right arm to do the movement, and sang instructions with the melody that felt most natural. I added turning to one side, back to the center, to the other side, and then back to the center again.
Then I changed up my playing and added my right hand. Initially the music (including my vocal melody) had been very flowy and tranquil, “holding.” I changed it to be more like playing a drum, with shorter sharper notes and pauses between chords, “driving.” It also became slightly faster.
I sang instructions to step side to side and clap, similar to what one might expect in step aerobics. There is an option to increase the tempo (speed), depending on the client’s response and how much time there is for repetition (I need to keep it short for the midterm). I suppose other directions, such as forward and back, and possibly even turning one’s body as one steps, can be added.
After a short time, I returned to the original “holding” music (including vocal melody). I sang instructions to turn to one side and then the other first, then ended with the instructions to raise and lower arms. This gives the exercise a nice symmetry and is intended to help the client remain calm and focused. The whole thing takes about 2 minutes.
Music therapy students are encouraged to be specific regarding which clients would benefit from an intervention, what needs it addresses, and how it meets those needs. It didn’t take me long at all to realize that a simple movement activity like this would be very helpful for me: an able-bodied individual with anxiety and depression, who can follow verbal directions and typically lacks the energy and motivation to exercise.
Everyone (including scientific research) says that physical activity is a highly effective “treatment” for depression, possibly the most effective. I’ve experienced its benefits firsthand, when my symptoms have been mild enough to allow me to do it. The problem is, an intervention doesn’t work if it’s inaccessible to the client (for example, I’d need to modify my instructions – or even come up with a whole new activity – for someone who uses a wheelchair). So, even if exercise could cure depression it doesn’t, because the symptoms of depression prevent exercise.
Which is where my intervention comes in. I could totally see Wakana doing something like this, particularly on a day when my energy and motivation are so low I ask to meet via Skype. I can hear her voice saying, “Stand up, we’re going to do something about this;” I can feel myself groaning as I drag myself out of my chair and scowl at her – annoyed, but secretly hoping that whatever she “makes” me do will provide some relief.
It starts out holding, comforting, with very simple movements that don’t take a lot of energy and can feel good as soon as I start doing them. It’s meeting me where I am: in need of emotional support. The amount of movement, energy, and coordination required increases gradually. When used as a live intervention, the therapist can adjust the level of challenge to meet what the client is capable of at that time. It can be recorded and used by the client (e.g. me) as a daily movement activity that is a million times easier than going to the gym, taking a walk, or even playing Wii Fit. Hopefully it will provide enough energy to encourage additional exercise.
Physical movement aside, I believe listening to the musical intervals (the specific sound created by playing two particular notes simultaneously or consecutively) in my intervention can be intrinsically healing. The Anthroposophical Concept of Intervals describes them in terms of 1) inner or outer focus, 2) movement or stillness, and 3) balance or tension. I find that my musical self-expression, especially when my symptoms are at their worst, tends to involve mostly intervals that are associated with inner focus and tension. There is definitely a place for these elements – in life and in music – but sometimes we need a break from them!
When I was creating this intervention I intentionally chose intervals that are associated with 1) both inner and outer balance as well as 2) active movement outward. Whether I move my physical body or not, use of these intervals reassures me that I am safe and I can direct my energy outward. In other words, these intervals directly contradict the distortion at the core of my mental illness. They free me to be the healthy Self I always am.
All that, in two minutes! I love music therapy.
Pingback: Extremes, Music Therapy, Representation, Derealization, Coping: Mental Health Monday | A Way With Words
You describe well a brand of music therapy that could very well be beneficial to many persons struggling with depression.
I have included a link to your blog and this post (as well as an excerpt) as part of my “Mental Health Monday” feature. I hope you will check it out.
Keep up the faithful blogging.
Thanks! I’m honored.
Pingback: This Post Took Three Days to Write | a day with depression